For a few months now, I have been ranking the different volumes of C.S. Lewis’s masterpiece, The Chronicles of Narnia. So far, I have covered The Magician’s Nephew, The Lion, the Witch and the Wardrobe, The Horse and His Boy, Prince Caspian, and The Voyage of the Dawn Treader.
To evaluate each book, I am using a rubric with four different categories: story, characters, worldcraft, and theology. For each category, I will provide a subscore of 1-10, yielding a cumulative maximum score of 40 points.
I have been following the chronological order of the books (even though I don’t consider that to be the best order in which to read the books), which means that this week, I will be ranking The Silver Chair (SC). Compared to some of the other books in the series, SC is not one of my favorites, but it is still a good book, and some elements are not only thoughtful, but incredibly relevant for our own time.
The Silver Chair
This is from a series of brilliant Narnia cover designs by Jeffrey Nguyen
At least on a superficial level, the main plot device of SC bears some similarity to VDT, as it is the story of a journey that is undertaken for the purpose of finding a missing character. Rather than a sea voyage to the Great Eastern Ocean however, SC chronicles a journey into the wild lands to the North of Narnia.
The book begins with Eustace Scrubb (of VDT fame) and his classmate, Jill Pole, being whisked into Aslan’s Country after Eustace had asked for Aslan’s help in escaping from bullies at their horrid school, Experiment House. They are given a quest to find the missing Prince Rilian of Narnia (son of the famed Caspian of PC and VDT), who disappeared ten years earlier while hunting a large green serpent that had killed his mother. To aid them on their quest, Aslan gives Jill four signs that she is supposed to remember.
The children are joined in their quest by Puddleglum the Marsh-wiggle who serves as a guide, but the quest does not go particularly well, as they miss two of the signs and struggle to follow the other two. They travel through the wild giant lands of Ettinsmoor, narrowly escaping the “gentle” giants of Harfang, and ultimately find themselves in Underland, where a host of underground-dwelling earthmen take them in a boat across a subterranean sea to the city ruled by the Queen of Underland, the Lady of the Green Kirtle, who turns out to be a witch who keeps Rilian imprisoned and bewitched. As the three travelers seek to free him, the Queen returns, setting up the climax of the story.
Although parts of the journey in SC drag and the climax of the novel seems to fizzle out too quickly, the story on the whole is interesting enough, and foreshadowing, intrigue, and the constant agonizing over seeking to discern and heed Aslan’s signs all add tension and excitement to the narrative.
SC is somewhat unusual in The Chronicles of Narnia because the Pevensie children do not appear at all, but human children still play a leading role, this time in the characters of Eustace Scrubb and Jill Pole.
Eustace was a major character in VDT, and that novel described his significant transformation from a dragon (both in a literal sense, and also metaphorical: Eustace was beastly) to a much better sort of person. This changed is evidenced by the fact that Eustace no longer gets along well at Experiment House, the horrid school that he and Jill attend together. The former Eustace would have been a lackey and crony to the bullies who rule the school; now, Eustace stands up to the bullies, is bullied by them himself, and befriends unfortunates like Jill.
Eustace doesn’t get the same level of attention in SC, but we still get a clear enough picture of him. He is not perfect; in fact, he can be obstinate, quarrelsome, and makes rash decisions at times, but he is far removed from the annoying little brat he was at the beginning of VDT, and he is resolutely a friend of Aslan.
Jill is the new child who is introduced in SC, and although I am sure some would disagree with me, I think she is one of the more disappointing characters in The Chronicles of Narnia, considering the lack of development she receives despite the amount of focus that is placed on her.
Jill is a classmate of Eustace’s, and is constantly bullied at school. When she is whisked away into the world of Narnia, her efforts to show off nearly result in the death of Eustace, but Aslan intervenes. Throughout the course of the book, Jill (and Eustace and Puddleglum) struggle to obey the signs Aslan had given her. Ultimately, though, she does not give up: despite personal limitations and fears (she is both claustrophobic and afraid of the dark, which become major issues in Underland), she presses on, and, along with Eustace and Puddleglum, ultimately accomplishes the mission Aslan gives her.
Puddleglum the Marsh-Wiggle
If Eustace and Jill are a little disappointing in SC, Puddleglum really shines. Puddleglum is a marsh-wiggle, a tall, thin creature who seems to be all arms and legs with a long thin face, a high pointed hat, green-gray hair that looks like tiny reeds, and webbed feet. Puddleglum is an Eeyore-like figure who always sees the worst in things (although he indicates that, compared to other marsh-wiggles, he is seen as a wide-eyed optimist), but he is absolutely devoted to Aslan, is loyal to and protective of the children who are placed in his care, and is really the hero of the book, shining most brightly when the circumstances are the darkest.
Rilian is the son of Caspian, and has been missing for the last ten years, ever since he had gone out in search of the great green serpent that had killed his mother. We learn that he has been enchanted and enslaved by the Lady of the Green Kirtle during this time, and is her devoted servant most of the time, only returning to his right mind at night, when he is bound to a silver chair to keep him from running away or rising against the Lady.
In Rilian, we see some of the adventurous spirit and the courage of his father, but arrogance as well. On the whole, I would argue that he is another character in SC like Jill who is not developed as well as one might hope.
The Lady of the Green Kirtle serves as the main antagonist in the novel. She is beautiful in appearance, is an enchantress, and can also turn into a great serpent. Although certainly capable of doing her own dirty work, her preferred method of malevolence seems to be in subverting and manipulating others to do her bidding, as seen in Rilian, the Earthmen, and even the giants of Harfang.
The first time I read SC, I thought this was another incarnation of Jadis, White Witch from MN and LWW, and apparently, this is a common conclusion. However, equating the two seems to be a mistake, as Lewis never does so. The White Witch is killed at the end of LWW, and although there is discussion of bringing her back to life through dark magic in PC, this doesn’t actually materialize. What seems better is to see The Lady of the Green Kirtle (also known as the Queen of Underland) as being a part of the same class of “Northern witches” to which Jadis also belongs.
This also seems to fit better with the main theme of SC, which Lewis described as “the continued war against the powers of darkness”. The reality is that the powers of darkness are both many and persistent, and the destruction of one evil force does not mean that evil itself has been defeated.
Aslan’s role in SC is a little different than in the other books. He appears much earlier on and gives specific direction to the children (specifically, Jill) as to what they are supposed to do. Rather than swoop in to save the day (either directly or indirectly) as he often does in other novels, he instead gives his little group of followers instructions and then seemingly stays distant (does Aslan even enter Narnia in SC? It appears that he remains in his own country). After the plot of SC has been largely resolved, the children see him again in Aslan’s Country, where they have a meaningful conversation about death and resurrection.
On the whole, the characterization in SC is not bad, but it’s also not at the same level as several of the other books.
For me, this was the strongest aspect of SC, as it significantly expands the world of Narnia by taking us both to the Wild Lands of the North and also down into Underland.
We get to see only a little bit of the marshes that seem to form a northern border of Narnia and which are the home of Puddleglum and his fellow marsh-wiggles. From there, the group of seekers travel further north first to Ettinsmoor, a rugged and rocky moor traversed by many streams. This wild land is the home of the giants, some of whom are wild and uncivilized, but others who are more intelligent, and live in the Castle of Harfang.
In the vicinity of Harfang is the ruins of an ancient giant city, and under this city, the group of seekers discover Underland, an entire civilization ruled by the Lady of the Green Kirtle, and populated by a gloomy, depressed multitude who have been enslaved by her enchantments. These Earthmen are actually originally from Bism, another nation six thousand feet below Underland, who hate being so close to the surface. In sum, Lewis actually creates an entire world under the world, filled with tunnels and lakes and a succession of caverns (see image here). In terms of worldcraft, this is the high point of the book.
Although SC is full of biblical allusions, as we have previously noted, Lewis said that this book was about the “continued war against the powers of darkness,” and so, my reflections in this section will be clustered around that theme.
The Weapons of War
First, we must take notice of the importance of the signs that Aslan gives to Jill, and what Lewis intends these signs to represent. As the children and Puddleglum engage in the war against the powers of darkness, a war in which, as noted above, Aslan seems strangely distant, what they are given to aid them in that struggle are Aslan’s signs.
Before Aslan sends Jill off to Narnia, he gives her these final words:
“But, first, remember, remember, remember the signs. Say them to yourself when you walk in the morning and when you lie down at night, and when you wake in the middle of the night. And whatever strange things may happen to you, let nothing turn your mind from following the signs. And secondly, I give you a warning. Here on the mountain I have spoken to you clearly: I will not often do so down in Narnia. Here on the mountain, the air is clear and your mind is clear; as you drop down into Narnia, the air will thicken. Take great care that it does not confuse your mind. And the signs which you have learned here will not look at all as you expect them to look, when you meet them were. That is why it is so important to know them by heart and pay no attention to appearances. Remember the signs and believe the signs. Nothing else matters.” (25-26)
The opening lines of the quotation above seem to be a clear allusion to Deuteronomy 6.7, part of the Shema:
4 Hear, O Israel: The LORD our God, the LORD is one. 5 You shall love the LORD your God with all your heart and with all your soul and with all your might. 6 And these words that I command you today shall be on your heart. 7 You shall teach them diligently to your children, and shall talk of them when you sit in your house, and when you walk by the way, and when you lie down, and when you rise. 8 You shall bind them as a sign on your hand, and they shall be as frontlets between your eyes. 9 You shall write them on the doorposts of your house and on your gates.
It is the words of God, His revealed teaching and instruction, Scripture, that must be our guiding light as we enter into the world for the sake of God’s mission and engage the forces of darkness. Indeed, this is what we see Jesus do, as He rebuffs each of Satan’s temptations with Scripture (Matthew 4; Luke 4), and also the indication we get from Paul in Ephesians 6, as he describes the Christian’s main offensive weapon, the sword of the Spirit, as the word of God.
Alas, Jill and her companions bungle the task. They fail to follow some of the signs, and their mission is made much more difficult as a result. Then, in the moment of crisis, when a raging Rilian, chained to the chair but finally in his right mind asks the group to free him in the name of Aslan (the fourth sign), the group is racked by indecision:
“It was a dreadful question. What had been the use of promising one another that they would not on any account set the King free, if they were now to do so the first time he happened to call upon a name they really cared about? On the other hand, what had been the use of learning the signs if they weren’t going to obey them? Yet could Aslan have really meant them to unbind anyone—even a lunatic—who asked it in his name? Could it be a mere accident? Or how if the Queen of the Underworld knew all about the signs and had made the Knight learn this name simply in order to entrap them? But then, supposing this was the real sign? …They had muffed three already; they daren’t muff the fourth.
“Oh, if only we knew!” said Jill.
“I think we do know,” said Puddleglum.
“Do you mean you think everything will come right if we do untie him?” said Scrubb.
“I don’t know about that,” said Puddleglum. “You see, Aslan didn’t tell Pole what would happen. He only told her what to do. That fellow will be the death of us once he’s up, I shouldn’t wonder. But that doesn’t let us off following the sign.” (174-75)
Puddleglum shines through. The task was to remember and believe the signs, regardless of appearances. The group does so; they are obedient in the moment of crisis, and ultimately, this leads to the successful completion of the mission.
Later, when they encounter Aslan, Jill feels terrible at how poorly they handled Aslan’s signs:
“I have come,” said a deep voice behind them. They turned and saw the Lion himself, so bright and real and strong that everything else began at once to look pale and shadowy compared with him. And in less time that it takes to breathe Jill forgot about the dead King of Narnia and remembered only how she had made Eustace fall over the cliff, and how she had helped to muff nearly all the signs, and about all the snappings and quarrelings. And she wanted to say “I’m sorry” but she could not speak. Then the Lion drew them toward him with his eyes, and bent down and touched their pale faces with his tongue, and said:
“Think of that no more. I will not always be scolding. You have done the work for which I sent you into Narnia.” (250)
Jill, Eustace, and Puddleglum didn’t perfectly follow the signs, but perfect obedience was not necessary to fulfill the mission Aslan had given them. In our own lives, we will not perfectly follow the signs, but in His grace, our God is not always scolding. He has given us what is needed for us to carry out His mission and engage in the ongoing battle against evil: His revealed instruction in the pages of Scripture.
The Enchantment of Evil
In this ongoing war against the forces of darkness, it is vitally important that we understand who our enemy is. In SC, on the surface, there appear to be all sorts of enemies that Jill, Eustace, and Puddleglum must face and overcome: the giants of Harfang who would seek to eat them, the Black Knight (Rilian in disguise) who rides at the side of the Lady of the Green Kirtle and does her bidding, and the entire army of Earthmen who live in Underland and wait to invade Narnia under the leadership of the bewitched Rilian.
But really, none of these are the true enemies of Narnia or our trio of heroes; that dubious distinction lies with the Lady of the Green Kirtle. Rilian and the Earthmen are her victims; enslaved by her enchantments to do her will. Even the giants of Harfang rely on the evil queen’s influence, at least for their human victims.
As Lewis wrote on the ongoing battle against evil, the words of Paul in Ephesians 6 were undoubtedly on his mind:
12 For we do not wrestle against flesh and blood, but against the rulers, against the authorities, against the cosmic powers over this present darkness, against the spiritual forces of evil in the heavenly places.
Despite appearances, it was not flesh and blood that Jill, Eustace, and Puddleglum were really fighting against; it was the spiritual forces of evil that empowered and manipulated those other, seeming enemies. You would be hard-pressed to find a more pertinent lesson for us to learn in our own time! In a society bitterly divided across various ideological axes, it is so easy to identify, target, and seek to destroy our enemies. This is, however, contrary to the call of Christ. Our enemies are not flesh and blood, but the spiritual forces of evil that so easily confuse and corrupt, and furthermore, even those who we mistakenly view as our enemies are not be targets of our hateful destruction, but objects of our love.
And the methods used by those spiritual forces of evil can confuse us as well: when the Lady of the Green Kirtle discovers that Rilian has been freed by the three adventurers, she doesn’t spring upon them in the form of a serpent; instead, she seeks to enchant them with hypnotic music and incense. With their senses dulled (remember, Aslan had warned Jill that the thickness of the air of Narnia would confuse their minds), the evil witch begins to convince them that Narnia, Aslan, and even lions themselves do not exist, that they are nothing more than a dream, and that all that does exist is the here and now in which the children and the marsh-wiggle find themselves. The enchantment very nearly works.
This is, I believe, instructive for us, as evil is no less enchanting in our own world. Evil is at its most dangerous not when it manifests as a great serpent threatening to bite and devour, but as a beautiful and regal lady comforting us that nothing is wrong. The spiritual forces of evil are not so enchanting because they suddenly entice us to do horrible things; indeed, such temptations are not tempting at all for the vast majority of people. Instead, they are enchanting because they subtly distract us from the divine mission we have been given. They encourage us to focus only on the here and now, to forget all higher and loftier callings, and in our dreamy state, to succumb to our own selfish desires and to do the bidding of the Evil One who seeks to divide us and turn us against one another.
Puddleglum comes to the rescue again; he sticks his webbed foot in the fireplace. The burning pain shatters the power of the enchantment and brings clarity to his mind. He addresses the queen:
“Suppose we have only dreamed, or made up, all those things—trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case the made-up things seem a good deal more important than the real ones…We’re just babies making up a game, if you’re right. But four babies playing a game can make a play-world which licks your real world hollow. That’s why I’m going to stand by the play-world. I’m on Aslan’s side even if there isn’t any Aslan to lead it. I’m going to live as like a Narnian as I can even if there isn’t any Narnia.” (190-91)
In a world where evil seeks to lull us to a comfortable sleep, making us more susceptible to its influence, Lewis suggests that an antidote to the enchantment of evil is suffering. For a society that perhaps goes to greater lengths to avoid suffering than any in history, this is perhaps a medicine that we would like to refuse, but it is difficult to argue with Lewis’s prescription. Suffering (at least, from a Christian perspective) helps us to see the broken reality of our existence, and to place ourselves “one Aslan’s side” so that we can be a part of the creation of a different sort of place, where evil is defeated and the suffering is no more.
In SC, Jill, Eustace, and Puddleglum embark on a mission to bring the missing Prince Rilian home, and this mission will bring them into close contact with evil. It is this same mission into which God continues to call believers:
“So, my friends, a reminder for today: in Lewis’ conception of the world, we are invited into a war with dark forces. Not against people, but against those who would harm people. Our mission, our quest, our role is to seek and to find those who have been captured, enchanted, corrupted or deceived—even if they are serving the darkness—and bring them home. And, we hope, to learn something about ourselves and to make new, lifelong friends along the way.”
With a score of 31/40, SC is a mid-level Narnia book, very similar to PC. It is not on the same level as books like LWW, HHB, or VDT, but is still a noticeable step above MN. If I were rating it on Amazon, it would round up to a 4-star rating, but in the spectrum of Narnia books, it is my second-to-least-favorite.
Check out the full series of posts:
 Peter and Susan “aged out” of Narnia at the end of PC; Edmund and Lucy did the same at the end of VDT.
 Paul Ford, Companion to Narnia: Revised Edition (San Franciso: HarperCollins, 2005): 6.
 Despite their greater intelligence and their organization of living in a castle and elements of a more sophisticated society, I hesitate to describe the giants of Harfang as civilized, as we learn that they knowingly hunt and eat sentient animals, and plan to eat Eustace, Jill, and Puddleglum as well.
 Matt Mikalotos, “Saving the Lost: Quests, Signs, and Unclear Instructions in The Silver Chair,” in The Great C.S. Lewis Reread. I have mentioned this before, but Mikalotos is writing a great series of articles on The Chronicles of Narnia. He covers a lot of stuff that I don’t get into in my own series here, and has been influential in my own thoughts, and helping me to see some elements that I had previously missed.